Flavors of love clandestino
The public will forgive the infidelity. This effect on the audience is the main achievement of the book of American Bernard Slade, who builds a credible and lovable characters. In this entry, Doris and John are known when some 30 years and the history that unites them is particularly different. They are lovers, not lovers anyway. They make a pact: to meet only once a year, at the same time and same place, sharing a weekend and the rest of the year, just think of another, nor call him to see it. Beyond this story, are happily married, have children and never deceived their partners. The guilt does not prevent the bond lasts for three decades. Re-elect once a year, till death do us part.
Next year at the same time was a success on Broadway and had a film version starring Alan Alda and Ellen Burstyn (in 1978, directed by Robert Mulligan). And in Ar gentina, had done in theater, and Thelma Biral Rodolfo drink. The adaptation of the text of Mark Carnevale and Lily Ann Martin, who staged and Julieta Díaz Adrián Suar in theater Maipo, with changes to the original dates and ages of the characters. In this version, there is too much concern because the work sounds argentina, in the geographical references in certain phrases, in some predictable jokes and the projection of images, including historical photographs and television programs to mark the passage of time, that diminishes the synthesis work.
Doris is in both, the more complex character, the most changes. The changes that your child suffers from post-40-interior and exterior, with changes in the look-Julieta Diaz resolved with ease and grace. Still has trouble finding the tone to Doris during the first scenes when his character is tinged with naivety and shyness. John makes more explicit his fears, his pain, his guilt, but achieves the expression of everything from humor. Adrián Suar comedy in its best record. Under the direction of Marcos Carnevale-writer and director of film and TV, who ventures into the theater with this entry, the piece has, with humor and tenderness, this relationship in which the protagonists find happiness.
As it strengthens the bond between the characters, it also strengthens the development of dramatic events, which achieves its peak intensity in the second half and generates more suspense on the fate that reaches this loving relationship. Next year at the same time achieves a forceful and emotional ending that conveys the viewer satisfied that the story was true the characters lived. That love, if it joins, joins forever. And at such truth-in the context of fiction, it is quite difficult to judge.
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